Godlike – The Art of Sound (SPCZ Remix)

audio: G0dlike / SPCZ
video: Nature Clip

taken from forthcoming ZIMMER100 compilaton


afion | waternet

audio: afion
video: psycoded / klara dot

taken from forthcoming ZIMMER100 compilaton


#099 | pasquale maassen | try two

Zimmer099 – Pasquale Maassen – Try Two (Germany)
mp3, 320kbps, FLAC, stereo, techno, breaks

099.1 – Pasquale Maassen – Evil Knievel
099.2 – Pasquale Maassen – First Second
099.3 – Pasquale Maassen – Kamikaze
099.4 – Pasquale Maassen – Temporaer01
099.5 – Pasquale Maassen – From the Inside
099.6 – Pasquale Maassen – Helltoys
099.7 – Pasquale Maassen – Fegefeuer

download -> archive.org
download -> sonicsquirrel.net
download -> last.fm

we will also provide a lossless FLAC-format for DJs and Audionerds from now on…

download ZIP (MP3)
download ZIP (FLAC)

Artwork (909px)
[design: jcbdrzr | photo: psycoded]


#098 | jerzz | the grand escape

Zimmer098 – Jerzz – The Grand Escape (Netherlands)
mp3, 320kbps, FLAC, stereo, experimental

098.1 – Jerzz – Doh Bahar
098.2 – Jerzz – Nachtwerkz
098.3 – Jerzz – Zahlig
098.4 – Jerzz – The Grand Escape

download -> archive.org
download -> sonicsquirrel.net
download -> last.fm

we will also provide a lossless FLAC-format for DJs and Audionerds from now on…

download ZIP (MP3)
download ZIP (FLAC)

Artwork (909px)
[design: jcbdrzr | photo: psycoded]

“Without the grand escape from their experience, people are subjected to it – acted upon, or tossed about. Their brain overheats. Decisions they make while inside their experience are not to be trusted. Do they make them to escape discomfort? Are the decisions irrational or erratic, determined by impulse, not cool deliberation? People in their experience are out of their minds. Rather than having the experience, the experience has them! They are the feather. Something else is the wind.” (The Un-Game)


#097 | uros tosic | principles of cosmicism

Zimmer097 – Uros Tosic – Principles of Cosmicism (Serbia)
mp3, 320kbps, FLAC, stereo, ambient, experimental

097.1 – Uros Tosic – Interstellar Alignment
097.2 – Uros Tosic – Space Planes
097.3 – Uros Tosic – Exaquare
097.4 – Uros Tosic – The Planet of Draco
097.5 – Uros Tosic – The Journey

download -> archive.org
download -> sonicsquirrel.net
download -> last.fm

we will also provide a lossless FLAC-format for DJs and Audionerds from now on…

download ZIP (MP3)
download ZIP (FLAC)

Artwork (909px)
[design: jcbdrzr | photo: psycoded]

The philosophy of cosmicism states that there is no recognizable divine presence, such as God, in the universe, and that humans are particularly insignificant in the larger scheme of intergalactic existence, and perhaps are just a small species projecting their own mental idolatries onto the vast cosmos, ever susceptible to being wiped from existence at any moment. This also suggested that the majority of undiscerning humanity are creatures with the same significance as insects in a much greater struggle between greater forces which, due to humanity’s small, visionless and unimportant nature, it does not recognize.


#096 | agros | in the dark

Zimmer096 – Agros – In the Dark (Earth)
mp3, 320kbps, stereo, 77MB, techno, experimental

096.1 – Agros – Nachtwanderung mit Krahe
096.2 – Agros – Ketamine Travel
096.3 – Agros – Friday night in Christiania
096.4 – Agros – Angels and Demons part 1

download -> archive.org
download -> sonicsquirrel.net
download -> last.fm

Artwork (909px)
[design: jcbdrzr | photo: psycoded]

Darkness, as polar to brightness, is understood to be an absence of visible light. It is also the appearance of black in a color space. Humans are unable to distinguish color when either light or darkness predominate. In the absence of light, perception is achromatic and ultimately, black. The emotional response to darkness has metaphorical connotations in many cultures.

In terms of physics, an object is said to be dark when it absorbs photons, causing it to appear dim compared to other objects. For example, a matte black paint does not reflect much visible light and appears dark, whereas white paint reflects much light and appears bright. For more information see color.

Light cannot be absorbed without limit. According to the principle of the conservation of Energy, energy cannot be created or destroyed; it can only be converted from one type to another. Consequently, most objects that absorb visible light reemit it as heat. So, although an object may appear dark, it is likely bright at a frequency that humans cannot perceive. For more information see thermodynamics.

A dark area has limited light sources, making things hard to see. Exposure to alternating light and darkness (night and day) has caused several evolutionary adaptations to darkness. When a vertebrate, like a human, enters a dark area, its iris dilates, allowing more light to enter the eye and improving night vision. Also, the light detecting cells in the human eye (rods and cones) will regenerate more unbleached rhodopsin when adapting to darkness.

One scientific measure of darkness is the Bortle Dark-Sky Scale, which indicates the night sky’s and stars’ brightness at a particular location, and the observability of celestial objects at that location.

Artists use darkness to emphasize and contrast with light. Darkness can be used as a counterpoint to areas of lightness to create leading lines and voids. Such shapes draw the eye around areas of the painting. Shadows add depth and perspective to a painting. See chiaroscuro for a discussion of the uses of such contrasts in visual media.

As a poetic term in the Western world, darkness is used to connote the presence of shadows, evil, and foreboding.

The first day of the biblical creation narrative begins with darkness, into which is introduced the creation of light, and the separation of this light from the darkness (as distinct from the creation of the sun and moon on the fourth day of creation). Thus, although both light and darkness are included in the comprehensive works of God- darkness was considered “the second to last plague” (Exodus 10:21), and the location of “weeping and gnashing of teeth.” (Matthew 8:12)

The Qur’an has been interpreted to say that those who transgress the bounds of what is right are doomed to “burning despair and ice-cold darkness.” (Nab 78.25)

In Chinese philosophy Yin is the complementary feminine part of the Taijitu and is represented by a dark lobe.

The use of darkness as a rhetorical device has a long standing tradition. Shakespeare, working in the 16th and 17th centuries, made a character called the “prince of darkness” (King Lear: III, iv) and gave darkness jaws with which to devour love. (A Midsummer Night’s Dream: I, i) Chaucer, a 14th century Middle English writer, wrote that knights must cast away the “workes of darkness.” Dante described hell as “solid darkness stain’d.” //wikipedia


#095 | structural form | new roads

Zimmer095 – Structural Form – New Roads EP (Spain)
mp3, 320kbps, stereo, 52MB, techno, breaks

095.1 – Structural Form – Colaps
095.2 – Structural Form – Hell
095.3 – Structural Form – Not Book
095.4 – Structural Form – Pack

download -> archive.org
download -> sonicsquirrel.net
download -> last.fm

Artwork (909px)
[design: jcbdrzr | photo: psycoded]

When all is lost
New roads open
perception shifts
and the veil surlely lifts
to a view anew
for what is life but a stream and a rift
an open ocean on a skiff
the nutrient spiral
how we spill
out the days of our lives
hungry bees in clumsy hives
i can feel it from my bronchial branches to my roots
the tipping point between man and nature

we became less than human
when we treated sisters and brothers less
like people
and more like commodity
pieces of the economy
the fall impaled us on treason’s steeple
our detachment from everything real
is similar to a moral lobotomy
how does it feel
to live in the age of unreason

no more rhymes to the season
the great homeostasis debate
where we love to decreate
and regress under the facade of progress
and recreate sanity’s gait
Will we come together as communities
and stand up before its too late?
when all is lost
new roads open
but not always taken

my dreams are slightly shaken
by these visions of tomorrow
burning incisions of sorrow
of what apathy and consumption have done to us
the concrete jungle and the rat race’s fuss
transnational chain stores
nothing but plastic conversations
dirty economy exchanges
this new language of commerce
another of history’s crazy crazy pages

when all is lost
new roads open
perception shifts
awaiting the resistance
the sun again slowly sets

What, oh what, will become of tomorrow?
//fathom of adam


mix#037 | energun | new live 10.2012

ZimmerMix037 - Energun – New Live 10.2012 (Belarus)
48minutes, 256kbps mp3, 90Mb, techno

Mix036 – Energun – New Live 10.2012 (archive.org)

livePA

some tracks are available via energun records (belarus)


hecrom | m-33

audio: hecrom
videos: eso.org

taken from ZIMMER093


#094 | hecrom | sirius

Zimmer094 – Hecrom – Sirius EP (Spain)
mp3, 320kbps, stereo, 51MB, experimental

094.1 – Hecrom – M-33
094.2 – Hecrom – Ceres
094.3 – Hecrom – Sirius
094.4 – Hecrom – Coma Berenices
094.5 – Hecrom – Vega

download -> archive.org
download -> sonicsquirrel.net
download -> last.fm

Artwork (909px)
[design: jcbdrzr | photo: NASA/courtesy of nasaimages.org]

Sirius is the brightest star in the night sky. With a visual apparent magnitude of −1.46, it is almost twice as bright as Canopus, the next brightest star. The name “Sirius” is derived from the Ancient Greek: Σείριος Seirios (“glowing” or “scorcher”). The star has the Bayer designation Alpha Canis Majoris (α CMa). What the naked eye perceives as a single star is actually a binary star system, consisting of a white main sequence star of spectral type A1V, termed Sirius A, and a faint white dwarf companion of spectral type DA2, called Sirius B. The distance separating Sirius A from its companion varies between 8.1 and 31.5 AU.

Sirius appears bright because of both its intrinsic luminosity and its proximity to Earth. At a distance of 2.6 parsecs (8.6 ly), as determined by the Hipparcos astrometry satellite, the Sirius system is one of Earth’s near neighbors; for Northern-hemisphere observers between 30 degrees and 73 degrees of latitude (including almost all of Europe and North America), it is the closest star (after the Sun) that can be seen with a naked eye. Sirius is gradually moving closer to the Solar System, so it will slightly increase in brightness over the next 60,000 years. After that time its distance will begin to recede, but it will continue to be the brightest star in the Earth’s sky for the next 210,000 years.

Sirius A is about twice as massive as the Sun and has an absolute visual magnitude of 1.42. It is 25 times more luminous than the Sun but has a significantly lower luminosity than other bright stars such as Canopus or Rigel. The system is between 200 and 300 million years old. It was originally composed of two bright bluish stars. The more massive of these, Sirius B, consumed its resources and became a red giant before shedding its outer layers and collapsing into its current state as a white dwarf around 120 million years ago.

Sirius is also known colloquially as the “Dog Star”, reflecting its prominence in its constellation, Canis Major (Greater Dog). The heliacal rising of Sirius marked the flooding of the Nile in Ancient Egypt and the “dog days” of summer for the ancient Greeks, while to the Polynesians it marked winter and was an important star for navigation around the Pacific Ocean. [wikipedia]